Angry Artist Alley: FAQ for Newcomers

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I’ve got a TON of articles, and if you’ve never tabled and don’t have the time to read every single article here, I totally get it. Hopefully writing this article will prepare you for the most basics of basics before you start your first tabling.

Key notes:
-This isn’t in-depth. If you’re curious about a topic, check the links underneath for a little more clarification or additional reading if you have time.
-Some of these are personal opinions. Some of the questions I get asked I can’t answer myself. I’m not the all-knowing of everything. My expertise is selling comics, prints, stickers and buttons in Bay Area Conventions. Mostly prints, buttons, and stickers. In the Bay Area. Any knowledge outside of the Bay Area are passed down from my many other veteran artist friends and acquaintances, or personal research.
-If you have questions or want clarifications, feel free to ask. 

What should I prepare for the convention?
-A waterbottle (don’t get dehydrated)
-Snacks (don’t starve)
-paper/pencil to draw on (helpful for commissions)
-tape (for taping emergencies. also, you might want to write your name on it)
-Change for twenty dollar bills (don’t bother bringing twenty dollar bills, trust me)

How much should I price my art?
-This is too hard to answer, because it varies depending on where you are selling. Here’s a good way of figuring it out: 1) look at all the other tables and find out what the average price is. 2) Never price your art lower than the lowest person’s pricing at that entire convention who is selling whatever the heck you’re selling–average is GOOD, underselling is BAD.
See “My Art is worth TOO MUCH!” for info about why under pricing your artwork may be frowned upon

Seller’s Permit? Taxes? What?
Oh boy…All I’m gonna say is that every state is a little different. You will need to do a little research, but you basically sign up for a temporary or permanent seller’s permit to use for the convention. After the convention, you count your earnings, calculate taxes, and depending on your seller’s permit you will file your taxes before a certain deadline. Like I said, it’s different for every state, so you’re going to need to do your research. I can only recommend you look up “[insert state name] Board of Equalization” as a little direction.
-A seller’s permit is a number you register with the state that you’re selling goods at, and is used to file taxes when you’ve earned the money. Pretty much every convention will ask you for this number, and you need to be ready to have that permit number to file in those taxes.
-Along with filling out a Seller’s Permit, you should also do some research if you need to do anything else while you are selling, such as owning a ‘Business Licence’ (there could be other things too!).

How many of _____ should I make?
-Prints: since it will be your first time, I highly recommend you only make a few copies. They MAY sell out, but then now you know to make more. But if it doesn’t, you’ll just have a bunch lying around. By the time you do your next convention, you would have a better grasp of what people might like, what doesn’t sell, etc., and some more revamped stuff. It’s my own opinion, but I wouldn’t go over five or six on my first print run. That way I won’t regret it as much if they barely sell. This is assuming you didn’t pay more than $80 on your table. Your first prints are most often your worst because you will find that the more you make them, the more you will improve.
-Buttons: Some people stock buttons by bringing the machine and only making them as they order with pre-cut templates. I can’t give you a definite count, but buttons tend to sell more often than prints, in my personal experience. From my own experience, I started out with making ten copies of each button, and just reprinted more stock of the ones that were falling down faster. Eventually I’d have twenty of one button and five of another, so it’s really sporadic.
-Stickers: It’s different for everyone, and just as sporadic as buttons. My method is similar to the buttons (except I don’t bring a button machine)–I make about ten copies, and after the first sale I determine which copies I should make more of and reprint extras of those.
-Comics: This one varies depending on which conventions you go to. I usually keep an incredibly low stock of comics (about 10) because they often don’t sell at anime conventions. In comic conventions, I bring about twenty. I’ve sat next to seasoned professional comic book artists, and they would load two entire cardboard boxes and run out of some titles…and I’ve seen some that would only sell four at a convention. I would recommend you print a low stock of comics on your first print run (usually the minimum is 25), and when you realize people find interest in it, give it another higher print run.
**For everything else, you should ask some other artists what their system might be. When I started selling prints/buttons/stickers, this was a long time ago, so it could be different with today’s demand. All I’m going to say is that if it’s your first time, don’t go overboard, because you’re going to probably end up with better stuff and a better understanding of things you’d want to sell on your second round, and third, and so on.

Important: NEVER ASSUME YOU WILL SELL ALL YOUR STOCK IN ONE CONVENTION. Never, ever, ever! If you have such high expectations, and only two or three sell, you’re going to feel like shit. If you only brought enough to pay back for your table, and you only sold a little bit, you’re just breaking your own ego. Maybe for one convention, half my stock is gone for keychains, and maybe at another con, not a single one sold. So never assume you’ll sell out of everything in one convention!

How many things should I put on my table?
-whatever you can fit nicely, you can put it there. The limit is usually the height of your display, and sometimes you can’t put stuff in the front of your table (you need to check with the convention rules for this). Avoid huge blocks of space. Also, propping things vertically often gathers more attention than just laying them on the table top :)
If you want some recommended items for setup, check this out–there are many other companies too! I recommend looking at what other people use to display for inspiration on how to set your table up.
For tips on setting up, I found this Pixiv artist to have useful cheap DIY setups, and this pixiv tag to have others who have useful setup DIYs


Is fanart okay to sell?

-Depends on the convention. Usually yes. Not all though. Some require a percentage to be original art.
-It’s super controversial to side with whether or not selling fanart should be allowed due to intellectual property rights vs. creative rights. I’m not even going to state my opinion, because every time I’ve done it, someone who disagrees with my idea will relentlessly argue with me, treating my opinions as meaningless without a second thought that everyone has their own DIFFERENT opinions. BUT if you really want a very good answer in every perspective of the topic, ask this question at the Artist Alley Network International facebook page, since there are plenty of people who have their own different ideas on the concept.
-Some companies DO NOT want people to sell fanart of their stuff (of course it’s okay to draw it though), but they may not police it very well. It is up to your good heart to make the decision if you want to make fanart of that company’s intellectual property (their logos, their characters, etc) even though they would prefer you not to do it. Indie companies like Roosterteeth (especially RWBY) and comics like Homestuck are examples of such. OF COURSE, you will see people do it anyways, and just make excuses like ‘oh well, i’ll keep selling unless the company gives me a cease and desist’, which in my opinion is just getting a little too greedy as an artist, but like I said, this is up to you to make this decision. I’m not the police, I can’t do shit about this.  But I personally follow this rule.

Extra credit homework: If anyone mentions Japanese artists selling fanart, then you can have fun and research about Japanese copyright laws, as they’re far more stringent, and you’ll be surprised about how their system works! You’ll also be surprised at what kind of stuff they sell compared to the bulk of America, and you’ll be even more shocked at their pricing! 

Can I get paid to draw stuff for people at conventions?
Yes, that’s usually called a ‘commission’. They pay you some money to draw something they like. It’s usually fanart. Just make sure not to under price your work (it’s good to keep your pricing higher than the cost you are selling your prints).
-You are NOT required to draw every single commission that comes your way. If for some reason their commission request makes you feel uncomfortable, YOU HAVE THE RIGHT TO REFUSE THE COMMISSION. Also, try not to judge people for what they commission for–everyone has their own personal fetishes, even you.
See “How do I order a commission?” for additional info on the process of ordering and distributing conventions
Also, check out “I’ll come back to your table later” to learn about a slightly more fool-proof way of making sure your customers don’t forget they commissioned you

Are there any rules I should know of?
-Don’t block your own table by sitting in front or having someone stand in front to help out. I don’t know why it’s not enforced enough, but taking advantage of an artist alley space you did not pay for not only makes it unfair, but also blocks the tables around you. There may be some exceptions, but you must ask the head of the artist alley department before doing so.
-Don’t play loud music without everyone else being okay with it. It bugs people. If you decide to bring an instrument, don’t do it in front of your table, and don’t do it on a constant basis (like more than twenty minutes straight, every hour, etc).
-When setting up, don’t lug all your junk on someone else’s table. put it on the ground under or near your table while you set up. If the other artist isn’t there and the convention begins, don’t start selling your swag on their table–wait a few hours, then ask permission from the head of Artist Alley before you do something like that, since you didn’t pay for that table.
-Some people find it easier to drag in customers by ‘calling’ them in. If you do this, there’s a point where you need to consider that grabbing attention from people who are staring at the tables next to you, and/or speaking so loudly over the people selling next to you can barely communicate with their own customers is very inappropriate.
See “Great for You, Not for Them” for additional info about treating you and your neighbors with respect

Why don’t some people enjoy photos taken of their work?
Many artists I’ve met are photo shy, and don’t like cameras in general. Some people also want to reduce the risk of their artwork being stolen (people would take the photo and print them on the computer). Another thing is that some people would enjoy the art, take a photo to keep on their phone, but won’t buy the actual art. Lastly, some people take photos and post them without credit, thus leaving an amazing piece on the internet without anyone knowing who the hell made it. Sure, people would see it on the internet, but they wouldn’t care who the hell made it if your name wasn’t attached to it.
I’m not saying you should prohibit photos. This often gets misunderstood. If you don’t care, cool. If you care, then you might want a sign about asking permission first. If you’re really anxious, you can go full throttle and have a sign that indicates it. It’s up to you. Years of convention experience will dictate what your preference will be.
see “Do Not Photograph Signs” for more info and a free printable template

What if I don’t make much profit in my first time?
A few factors:
1) You were selling at the wrong place or wrong time. Basically, you did not go to the convention that suited you best, or it was at an awkward week or location.
(when conventions happen back-to-back with other conventions, or even multiple big events happening on the same day, there are usually less attendees or attendees aren’t as willing to spend as much)
2) Your work needs improvement. It could be improvement skill-wise, or that your work was not appealing to the right audience (again, to #1–not the right convention). To be honest though, it’s highly likely that it’s answer #1, and not that you need improvement. It’s pretty crazy how conventions can make or break your expectations.
3) Social skills. I have no proof of this one, but I know people who hide behind their tables and too scared to talk to customers don’t drag as many customers.
4) The con was too freakin fabulous–okay, that’s sarcasm. Maybe not. Actually, I’ve noticed when there are HUGE stars at a convention or have many, many panels or very long wait times for autographs and the such, attendees end up stuck in line and outside the artist alley longer. It’s not always the case, but definitely something to consider.
When Stan Lee comes to a convention, don’t expect a lot of people to walk in artist alley for hours XD

see “Not Selling Much” for a more in depth answer

Some last tips on your first tabling experience:
Have realistic expectations. Don’t expect people to buy every single thing out of your inventory, and don’t expect every single person to go to your table telling you your art is the most amazing thing in the world. There will be many, many people walking past your table. Don’t sweat it, it’s your first time. It happens to everyone…all the time.
Your first time tabling is to gauge whether or not you want to do it again: It’s likely you tabled because you want to do it more than once. Well, don’t worry too much about sales on your first time. If you can handle whatever stress gets thrown in your way while you’re tabling, you’re good to go. If you didn’t make a lot of sales, or possibly sold out in the first hour, your first time is to determine if you want to try it again. If you make a lot though, I recommend you go celebrate :D
Bring change: Don’t even bother bringing $20s. You will be breaking $20 bills for the first half of the convention, trust me. $5 and $1s are very essential. In case of emergency, and your nearby table members don’t have $1s, go to your nearby coffee shop to break them.
Know the convention: Make sure you know where the convention is, where the food places are around the convention, where the bathrooms are, and where the atms are (so you can direct some people to the atm machine if they only have a credit card)
Advertise your spot:
Before you go to the convention, tell everyone you’re going to that convention weeks ahead, and the moment you know your table number, post it all over your social media. Otherwise people won’t know where the heck you will be.
Business Cards: Make business cards with your web address and/or social media. Facebook, Tumblr, etc with your art–put it on a card. Or paper. Anything. People will want to follow you online to see what else you make :)
Don’t be stinky: If you have bad breath, or you have some body odor problems, please eat a mint/chew gum and wear deodorant.

Featured Artist:
Hai-Na-Nu Saluque, aka. “Nooligan”


This awesome dude is one of my top favorite artists I’ve discovered at conventions this year. I mean, holy crap that’s some really awesome style! The art is full of attitude and spunk whilst holding a very unique 1920s cartoon feeling to it. And he also made a comic called ‘Union St. Choir’. Just…yea, go check it out. I love the fresh style in all his work <3
You can check out more of his work here:
Illustration Site
Online Shop
Instagram
Deviantart
Facebook

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Angry Artist Alley: My First Time Making Acrylic Charms

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Note: This article isn’t about ‘Artist Alley’ per se, but more of an article about something many artists make at artist alley. I put it in Angry Artist Alley because it could possibly be relevant to some people.

Chilly Pig Creations
is an independent company that prints acrylic and wooden charms. This article describes my first experience with making acrylic charms, and working with this company.

THIS IS NOT A PROFESSIONAL GUIDE TO MAKING ACRYLIC CHARMS. I REPEAT. THIS IS NOT A PROFESSIONAL GUIDE TO MAKING CHARMS.

It’s a beginner’s perspective on making charms. If you’re a noob who wants expert advice, go ask an expert on it. Heck, if I wanted expert advice I’d be asking my other friends on this (which I did). I’m just writing this article based on my very first experience making them. I just have a LOT to say. I’m sure someone on the internet probably wants to read a personal article about me struggling and crying in agony. Here you go. 

I couldn’t find a good article that puts making acrylic charms into a beginner’s point of view. More like an expert’s point of view, that describes quality, perks, and etc. with these things. This is more like the process of making them. If you’re looking for expert advice, I’ve just warned you now, this isn’t the article you should be basing all your opinions from.

Continue reading

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‘Arquebus Dance’ Anthology: The Conclusion of the Project (and KrakenCon Photos)

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Aye! And so, this is the part 3, the last part, of my 3 blog article revolving around my ‘Arquebus Dance’ collaborative project with my friend Kayu. And a photoshoot.

At this point, both Kayu has completed the layout and the book was sent to the printers. We’re both crossing our fingers that it will turn out great.

I thought it would be a bit unfair for every artist who contributed only to get one free copy and preorder bonuses, but in addition, I’ve printed every artist five quality prints for their own use, and a framed one to hang on their wall as a special gift. Not much, but so far the best we can manage, since this is all privately funded with barely anyone interested in preorders.

Layout design took a little over a week, which involved nightly conversations on Google Hangout, lots of file transfers over gmail and dropbox, and a crapton of swearing at the monitor.

There were some serious issues though. We expected the layout to be B5 sized (typical doujin size), but the printer we had our eye on suddenly made a note saying they aren’t picking up any more orders, so we had to find an alternate. Eventually we decided that printing on regular comic book size and trimming the bottom would suffice. I’d like to thank RA Comics for putting up with our shit, because we honestly weren’t sure what the hell we were doing. Thanks for your patience and troubleshooting!

Anyways, PREORDERS FOR THE ANTHOLOGY END AT THE END OF THIS MONTH! HURRY!

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Last weekend, there was a convention called KrakenCon, and IT WAS ON A FLIPPIN AIRCRAFT CARRIER SHIP HOLY SHIT. Like…I could go on about how it was one of the most amazing convention experiences I had in my life, but you can just ask anyone who went, and they’ll just flip out as much as I did.

In Nobunagun, Sio was a military fanatic, and it was appropriate to have this photo shoot with her admiral outfit (not featured in anime, but later in manga). We visited all sorts of places all over this ship and snapped a ton of photos. This photo shoot is pretty much like the conclusion to our project. Hope you enjoy it!

Let’s kick off the celebration off with a photo shoot of Sio when she [INSERT SPOILERS] :D

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‘Arquebus Dance’ Anthology: The Process of a Doujinshi

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This is a followup to this article, part 1 (part 3 will come up after preorders are over for this project)

This article is about the process of making ‘Arquebus Dance’, and what some of the experiences were. I’m sure it’s different for everyone who has made an anthology before, and no, I wasn’t the main person running the entire thing, but I did put a huge helping hand in it.

What was the project? It was an anthology zine that had Nobunagun fanartists around the world contribute some art to create a zine. Kayu created the project, and I helped with the production of it.

Prior history: Before this anthology, two were made, and each one was dedicated to another character from the series. My partner, Kayu, chose to take on the third anthology and the character was Sio Ogura/Nobunagun, the main character. This would also be the first to feature a female as the main theme (as opposed to ‘William Tell’ and ‘Adam Muirhead/Jack The Ripper” This would also be the first one run by someone who isn’t from Japan either. In fact, this would also be the first one that was printed and run by someone not from Japan, a ‘gaijin’.

Fun Fact: The term ‘gaijin’ means foreigner. Kayu kept telling me that we were ‘gaijin’ and I scratched my head for a while. It’s quite an oddity when foreigners can’t quite read the comic they’re looking at (well I can’t, but she can).

I think what made this project very interesting was that the main audience was for Japanese fans (since the manga hasn’t even arrived in America…yet?). I read the manga, but I ask Kayu to translate some of the pages for me when I don’t understand what’s going on. There’s an incredibly heavy language barrier between me, and them. But I guess the best way I can ever respond with anything are emoticons. They are pretty universal for the internet ^_^;;

Like I said, the doujinshi’s main audience are Japanese readers. Which meant the binding would be on the right side, and everything would be read from right to left. That even includes the comics!

And it was a great fun challenge well spent for a few months. I can now say I made a short comic in Japanese. If you just recalled in the last few paragraphs though, I CAN’T READ JAPANESE. Now how did I get through this doosie?

Well, it’s simple. Well not really. Maybe? First, I wrote the dialogue and all the sound effects in english. Then I emailed it to my friend who would translate it. Then I drew the comic oriented right to left.
2015-08-18_originalNext, I took the sound effects my friend translated, and I drew them into the comic. (I needed a little bit of practice before I could get so-so at making the characters correct and legible)

Here are samples of some of the sound effects I popped in the comic:
sfxThen lastly, my partner took all the english text, translated all into japanese, and did the lettering for my comic. I can’t believe we pulled off that stunt, and I hope it turns out alright!
Below: Kayu working on typesetting and translating. Photo courtesy of Kayu

But WAIT–the doujinshi will have an ENGLISH version too! So guess what? Even though when it was translated into Japanese, I did the speech bubbles in english for my own comic! But there were some other comics that were written originally in Japanese, and had to be translated into English. What a doosie! But Kayu was prepared for this.

I wish I could show you samples of the comics, but of course, that’s a surprise for the people who purchase a copy of the anthology! Also, currently they’re on preorder, and preorders come with extra swag :3

Preorders end at September 30, 2015.
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And since there is preorders for Japanese version as well, here’s the Japanese ad:
promo_2_jpnThank you Kayu for all your hard work translating EVERYTHING (even the credits, letter to author, title, etc) from English to Japanese, and Japanese to English! I hope this is an amazing experience for any reader to know this much extra effort was put into it <3

Check out more thumbnails, progress, news, etc. about the project at the tumblr!

Conclusion to this comic project:

This project has showed me how to overcome the language barrier. Kayu and I had quite an adventure working on it. The Nobunagun manga series just ended last month, unfortunately, but I asked Masato Hisa (the author of the series) whether or not he was thinking of a spinoff. I am pretty sure he can understand english, to some point, and he responded (and probably jokingly) that I should make one. My friend and I are tempted on taking this challenge, and make a whack spinoff to the ending….entirely in Japanese.

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‘Arquebus Dance’ Anthology: PREORDERS OPEN!

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So if you’re wondering why I haven’t had a new blog update in over a month, it’s because I have been wrapping up this project, and now we’ve got preorders open for it!

I’ve never spent so much time and effort in a comic in my life, and hope the results show. I contributed two comics (one one-page, one ten-page), one page illustrations, two collaboration pages, designed the ‘bonus postcard’ and made additional drawings scattered around the anthology. I also helped manage the project, and my partner and I are crossing our fingers that this goes smoothly >.<

Some history before the project: I originally watched Nobunagun to see how whack the series could be, and ended up enjoying it. I mean come on, that main character has a giant gatling gun on her arm. That’s so badass.
Anyhow, details aside, I made a friend at Artist Alley when she saw a Nobunagun fanart. Fast forward months later, and we decided to make an anthology zine for the artist, Hisa Masato.

Why did we make it?
Despite how fun and whacky the anime is, there’s also a manga. And it’s not even in America yet. In fact, this series isn’t even that popular. The artist’s art style is quite unique, and every chapter’s pacing is as fast as an episode of Kill la Kill. I am not kidding–i read the japanese manga updates but I can’t read a spit of Japanese at all. I ask my friend to help me translate some of the pages when I can’t understand it. And I love it. But man…wouldn’t it be great to just buy the translated book in America?

The entire process of making the anthology is to bring awareness of our love to the manga. Seeing as we’re foreigners compared to the fans in Japan, I guess it makes it even more special. We both want it here. We spent many, many months on this. Our goal is to show that the anime is worth the watch and if this book ever came to America, it’s worth the read as well :D
(also, please make season 2 of the anime. It answers so many questions for viewers who have already seen the anime)

So we decided to make an anthology zine contributed by the fans of the series, and then distribute it. Even the artist himself is contributing!

sio preorders

Preorders for the Sio Ogura Anthology, ‘Arquebus Dance’ is up, and includes TWO limited edition prints and an exclusive sticker set that only comes with preorders.
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(credits: far left and right: Celebistar, middle two: me)

This is a fanzine dedicated to Sio Ogura, the main character of the anime and manga Nobunagun, by Hisa Masato. It’s made by fans from America, Japan, and other countries around the globe!

If you haven’t seen Nobunagun, it’s available free on Crunchyrollwww.crunchyroll.com/nobunagun

special-goods_original

It includes both color and black and white illustrations, on quality 80lb paper, and is currently at a 40 page count (which means by the time preorders are over, there might be even more pages!)
We also have a Japanese version available as well.  

[Preorder here]

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CCA MFA in Comics Presents: An Evening with Mike Mignola

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I was fortunate enough to see Mike Mignola’s lecture at the California College of the Arts on Friday and video record the entire thing!

Many, many, MANY years ago I first heard of him when I watched the Hellboy movie, and then I found out about how he came from my college, the California College of the Arts (‘and Crafts’ back then). When I was in CCA, I had never heard of any alumni who walked out this college and made a big break in comics, so this was REALLY inspirational for me. I did research on him, saw his art, and instantly fell in love with the style. Although my work doesn’t look anything like his, it was definitely born from reading my first Hellboy comic religiously. Such an opportunity is really a gift from the comic book heavens. I left work early just to get to this lecture on time. Maybe a little TOO early in anticipation, as I arrived around 4:30pm (the event was at 6).

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Seats were getting packed, FAST. 

This would be the very first time I use my brand new Olympus EM-5 to video record, and recently, my camera lens was repaired and I’m back in the game. I also brought my mini tripod to see if it could help with any future projects (it doubled as a mini monopod because of its weight). I decided to use this lecture as a ‘test run’, and it seemed pretty good, in my opinion.  The only thing lacking was my ability to record videos. Although the beginning of the video was a little shaky, I eventually figured how to work the camera (sorta). Practice makes perfect.
2015-07-02 22.35.55 Anyways, enough with the chit chat, I know why you clicked on this link, so, enjoy!

What struck me the most about this lecture was how Mike had many, many failures in his earlier works, and admitted to a lot of his flaws, and just found methods to adapt to his flaws. It goes to show that not every artist is as perfect as you think they are ;)

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Note: there is a deaf student in the MFA Comics program, and the lady in the front is the translator

Like any show at CCA, there was always an ‘after party’ where we all got to hang out with people, drink alcohol (responsibly hopefully), and eat all the salami and cheese until it’s gone.

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Above: Chris Koehler, one of the teachers in the MFA Comics Program, and Owen Smith, Chair of the CCA Illustration department.

Mike still didn’t get a break during the after party, as people gathered in a line to get their comics signed, photos taken, and talk to the big man.

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By the time I got to the front of the line, I got really nervous, had absolutely no idea what I was saying, and exchanged what must have been twenty seconds of words, a hand shake, and a photo. *facepalm*
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It was a good moment while it lasted.

Still, I have a long way to go. Coincidentally, I too came out of the CCA Illustration department without little direction, only with the determination to work towards comics. The future is still uncertain, but after listening to this lecture, at least I know that I’m not the only artist in the comic world who doesn’t enjoy drawing cars!

For more photos, check this out: https://www.facebook.com/media/set/?set=a.986129918104734.1073741843.180444828673251&type=3


…and speaking of a big break, a bunch of friends and I collaborated to make a full color anthology zine called ‘Sweet Treats’ containing comics and illustrations revolving around all things sweet! Like any artist, we’re all trying to make our big break, little steps at a time. We’re not a Mike Mignola, but I’m sure you’ll be impressed with some of our work. Please support our awesome project!

The 48 page color physical zine is only $5 and the digital pdf version is ONLY $1! Please support and give it a peek :D

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Fanime 2015 Monty Oum Gathering

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This is another random blog post I wanted to share about another new experience I encountered at Fanime, as a photographer. I have been to Fanime for almost a decade, but I’ve NEVER gone to a cosplay gathering there. Crazy, yea? Well I have been at artist alley almost every other time, so this was pretty new.
As another note, I have uploaded the photos on my facebook album too if you want to see it there instead.

For the past record, I went to my first convention cosplay gathering at Emerald City Comic Con for Roosterteeth, and it was super duper chill and tiny, and the second gathering was a Marvel/DC one at Big WOW! but I was only there for the very last ‘group shot’ moment. I’ve gone to cosplay gatherings outside of conventions, and it’s waaaaaay different (just imagine cosplayers grilling hotdogs and drinking soda). So I decided to write an article about my experience.

So for those who did not know, Monty Oum passed away a few months ago, and although very mournful, the meet was more about celebrating his work than anything else. Other than these two cosplayers below, everything else was RWBY.

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The very beginning
 It wasn’t too hard to find this gathering–look for the hoard of cosplayers with red scythes, big yellow hair, and green guns.

At usual cosplay meets I would warn everyone I’d take candids beforehand to make sure I don’t get in trouble. Cosplay doesn’t equal consent, right? Well it felt REALLY awkward saying it at a convention instead of a cosplay gathering. But it’s better than being blacklisted at a convention for doing something that creepy. I got to do, what I got to do, yea? I had to think quick and figure out a way to just tell everyone all at once. Eventually I found out who the head of the gathering was, and asked permission to use the stage.

The beginning of the actual gathering
 First we had an announcer introduce the meet, and then they let me get on stage to yell on stage ‘HEY I AM GONNA TAKE CANDIDS WHERE YOU AREN’T PAYING ATTENTION. WHO DOES NOT WANT THAT?’ [silence, no hands are raised] ‘OKAY GOOD THANKS EVERYONE’. Problem solved. *whew*

I didn’t feel very comfortable being a complete stranger sitting within this giant crowd of strangers…


But thank goodness I could at least recognize this guy from past cosplay gatherings, and sat next to him.
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I want to say I met this guy at the last Sac Anime when I wanted a photo of his Mercury cosplay, but when I saw him cosplay as Robin at another gathering and say hi to me again, I realized I may have met this guy more than just a few times XD

First Call: Characters

Here, the announcer called each character on stage to strike a pose, turn left, turn center, then turn right, to make sure all photographers got a good angle. Unfortunately for me, I was too short to move back to take a good pic, and my camera is too zoomed in to take good pics that cut out the people sitting in front of me. So unfortunately, the only thing I could resort to was luck, and Photoshop cropping.

And so…the characters in solo pop up. I didn’t include every character in this gallery, but I assure you, we went through the WHOLE THING.

Second Call: Groups
Next, we have the groups. Trying to call characters up on stage got some effort, but I think as the gathering progressed, people kind of got the hang of it.

Third Call: Ships
Half an hour has passed, and now everyone gets really excited. REALLY excited >:D
Some people got really ‘in character’ with their cosplays, hehe.

That was the end of the meet, but there were more people lingering around. I can’t believe these two cosplayers missed the fun!

 Conclusion Of the Gathering

Well, after that, everyone dispersed or stayed for the Roosterteeth gathering that was right afterwards. That was one hell of a meet! Sadly I didn’t really get to make any new friends. I passed out some stickers…hmm..that was it. Would I go to another one of these in the future though? Hell yes! <3

Check out this gallery for more photos: Chad Cosplay

If you’re a photographer who also took photos, please send me a link and I’ll add on to this list.

 

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Photograph with Consent: How it all began/progress

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So now that you’ve read this article, I wanted to give you a little history lesson about how it all started.

How it all started: Long story short, a lot of people told me it couldn’t be done. So I decided to prove to all these people it could.

And so that’s when I had the idea of making the signs.

First Attempt: Fanime 2014
Fanime was coming up, so I made an online template, printed out a bunch of them, and handed them out while we all waited in line to get in the convention. Basically, everyone takes one, passes it down until they’re gone (and they disappeared halfway). I thought it would be the perfect opportunity to do it, and people loved the sign. However, it was very obscure, and from what I heard, staff was trying to take the signs down. I don’t know if it is true, but I did notice a diminish of signs even though the entire stack that went down the line as we waited all disappeared. So I would call this attempt a fail, but with a very tiny positive reaction. People liked the sign, but it was ineffective, in my opinion.

Second Attempt: Sac Anime 2014 (summer)
I was allowed to create a custom made version of the original version to hand out at the convention, but unfortunately there were two problems. 1) The head of the department did not want to print out the signs, and so I just posted on facebook for people to print it out themselves (and not everyone reads the facebook), 2) The head of the department was incredibly difficult to contact, and 3) I wasn’t there to see it so I have no idea if anyone used the sign. Attempt was a complete fail.

Third Attempt: Kraken Con 2014
I emailed the head of the convention, and they agreed to let me make a custom template for them. They said they would print them out for me, and hand them out. Fortunately, I was tabling there so I could experience it. There was a nice lady who walked up to every table, showed the ‘do not photograph sign’, and then if the artist wanted the sign, they would help tape it on their table. The thing was, the signs were printed on bright yellow paper. And some people told me it was sort of working. This was the first time when I noticed improvement. At that point, I thought it was because multiple tables had the same sign (because based on what the other artists told me, customers were curious about what the signs meant, and begun conversation with the artists). I would say this was an improvement, but not a pass. 

Fourth Attempt: Sac Anime, 2015 (winter)
Okay, so this time I decided to table at this convention. In this attempt, I thought that the reason why the third attempt worked was because more than one person had the sign. Again, the head of the department did not want to print them and took a very long time to get a hold of, so I decided to print them on white paper and left a stack at artist alley registration. At least the artist alley staff was kind enough to allow me to put it at their front table. Sadly, ll the artist’s answers were too vague to consider it a positive or negative problem, and I could barely find any table with the signs. Fail again, I suppose.

Fanime 2015
 By this time, I had to think about why my third attempt work, but not the others. I joined the facebook group ‘artist alley international’, redesigned it, and I asked everyone’s opinions about the sign. Here, I heard a lot of comments about artists who have given up hope, and some pretty much accepted the idea that their work would be stolen so they don’t bother. I decided to post a revamped design, and one artist on there was a graphic designer and gave me some great tips to redesign my sign to what it looks now.  Unfortunately, many artists had disagreements on what the sign would actually say, so I decided to make multiple versions. I decided to think about why my past attempts were fails, and changed my process.

This is what I did based on my previous fails:

  • redesign to be as straightforward but polite as I can
  • bought a huge pack of yellow paper and printed on the signs on that
  • The design emulated a caution sign for easy recognition of the intent
  • I passed out the signs myself this time, to ensure everyone at least had a chance of getting one
  • I made multiple versions to accommodate different setups, such as printing a few on pink paper (for light colored setups), or making miniature versions for tables that have an enormous clutter of prints, or those who wanted one logo vs. two logos, and finally one with a red outline to distinguish that the artist
  • Due to several different opinions of the sign, I made three different versions to accommodate everyone’s needs. Because the signs all had the uniform ‘caution’ tape on the top and bottom, it still gave out the same message. One had only the camera logo, one included a logo that indicated instagram, and the last one did not have’without asking the artist first’ and had actual red on it to indicate that there would be zero tolerance for photographing.
  • I printed hundreds of signs so that nothing would run out.2015-05-29 19.27.49

Did it work? To surprise, much better than expected!

Results and hypothesis:
I am going to be honest here, I really did not expect it to be as successful. I thought it would be the same as Krakencon, where most people inquired due to confusion or the like. Well it sort of did, but on a more positive scale. Of the two hundred and ninety eight tables in the artist alley alone, a hundred and fourty one tables asked for a sign. That’s almost half the tables! 0_0 This does not include Dealer’s hall (I recall giving some out to the artists there, but unfortunately did not have time at the convention to get back to them).

I made a second round the next day to check if these artists had the signs up, and unfortunately some have put them down either because ‘no one asked for photos’ or they ‘didn’t have time to put it up’. Well, even if they didn’t put it up at this convention, now they have a handy sign if they ever want to use it in the future. I am going to take a guess here, but it may possibly be the fact that so many other tables were making a statement that attendees pretty much picked up what was going on. Or so I wish to think that.

Making my second round, and I asked people if the sign worked. From what I heard, it has helped a lot, but of course, you get the usual photographer who ignores it. It wasn’t a 100% fix, but definitely the best improvement so far. I’d still call it a success if an artist can compare this time with a previous time and point their finger to this convention and say ‘yep there’s a difference’. I strategically made this sign for Fanime, because many artists (and attendees) are not from the Bay Area. It helps make a statement that other artists around the country agree as well. So hopefully this works elsewhere.

In the end, not all tables NEED a sign:
I pay careful attention to tables that encourage photos. They’re usually artists that are already known for a specific kind of art, craft, or authors of comics/books. I can see why authors of books would encourage it (I mean the title of their work is right on the art there’s no need to hide it), and that the very popular artists don’t care because they already have enough fame that it doesn’t matter. What DID surprise me was that some really high tier artists wanted the signs!  But that’s for you, the artist, to experience yourself–so if you use a sign or not, in the end it’s your own decision :)

One thing I do while i pass out signs is that I never explain why I give them unless they inquire. This sounds funky, but if you already have a great positive experience with people taking photos, there’s no reason to have one of these signs on your table. However, if you’ve experienced it or know someone who has experienced bad moments with the photos, that’s usually the crowd of artists who appreciate the signs more than anyone. 

Future concepts, ideas, etc:
This entire project at Fanime costed me a total of $119, which included travel and hotel, but that’s not even the food cost. This project took so long that I couldn’t even check out dealer’s hall to get anything. I was fortunate enough to be a table helper so I could get a badge that would allow me to talk to artists before the convention begins, but with the hours I needed to help him, it was taking up too much time. I highly doubt I will ‘travel’ to huge conventions to do this unless I found a way to get there with minimal cost. However, I’ll be contacting anime/comic/indie conventions to see who is interested, and mail it to them or direct them to my template page. So far after contacting a few conventions, I’ve had positive results ^_^

Do you want to help?
Since I’m not tabling at conventions for a while, I won’t be having a nice stream of revenue to fund this project. At the moment, please consider a commission or two to ease my wallet when I print and mail out a ton of signs to conventions. 

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Photograph with Consent: What is it?

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I’ve decided to halt my ‘Angry Artist Alley’ series because I am not tabling until April 2015 and when I come back my work will be transformed into something very different (hopefully). I hope I have written enough articles to prepare everyone of almost every problem someone might face once in their lifetime at artist alley, and if you ever have any more questions, feel free to email me at jackieloart[at]gmail.com’

WARNING:
IF YOU ARE COMPLETELY OKAY WITH PEOPLE TAKING PHOTOS OF YOUR ART WITHOUT ASKING, PLEASE STOP READING HERE, CLICK THE BACK BUTTON, OR CHECK YOUR FACEBOOK OR TUMBLR.

I am quite aware that there are many artists who are completely open to others photographing without permission. I do respect that you are okay with photos, but I myself and just trying to support the other side. Please don’t start an argument with me, or pick an argument with someone who has a sign on their table. In the end, it is up to the artist’s choice, not you or me, to make that final decision. 

Now, back to topic.
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I have always been told that ‘no photos’ signs are completely useless, that people shouldn’t even try it, and artists just straight out tell others ‘they’re going to steal the art and sell it themselves, why bother?’ Some artists and customers find it to be some sort of dick move for another artist to do that and refuse to buy from them. It leaves a sour impression, and I know some people are completely okay, but that doesn’t mean they should start trying to convince people that they shouldn’t do it in the first place.

Very few people try putting up the signs. When I wrote this article, it was the very first time i saw a sign so bold on a table–the sign was an entire sheet of paper. I may have seen an obscure tiny piece of paper before that says ‘no photos’….I can see how that isn’t effective. But I mean…they tried, right?

If conventions won’t enforce consent from artists to take photos or the like, then the artist themselves should try an enforce it. Many have given up, but I decided not to lose hope. I will make signs available for conventions, or go to conventions myself, or even mail signs to the conventions and pass it out to everyone who wants one, and then take a photo of their booth WITH CONSENT OF THE ARTIST and make an online gallery. That’s pretty much it. I just want to make a statement that says ‘hey, why don’t you have a friendly conversation with the artist before snapping a photo and walking away?’ or ‘hey, you shouldn’t rub your fingers on stuff without permission’ I actually have absolutely no idea the statistics of who likes or doesn’t like this, but I still believe that something should be done about it nonetheless!OLYMPUS DIGITAL CAMERA

I’ve actually worked on this project since last year, but obviously if you haven’t heard of it until now, it’s because it’s been a failure almost every time. But I didn’t lose hope. Recently in Fanime 2015 it was my first success! But will it stay that way? Only time will tell.

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Rose

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Just to let my readers know, there’s a huge imbalance of blog articles about artist alley without me actually showing my own artwork. So expect more recent projects or photography here. But don’t expect them to update every week :P

I didn’t get in the Capcom Tribute, but I submitted a piece I really like and wanted to talk about it a little. The Udon crew had an insane amount of competition, so I’m not surprised I didn’t get in (heck, a lot of people who got in that book were veterans or creators of the series). So without further ado, it’s Rose, from Street Fighter!
ROSE_mockup I’m actually really bad at the game, and there’s not a lot of fan art of her, so I was happy just making the piece for myself anyways. She is one of the few characters in the game that I can sort of get a handle on (i can’t do a Z movement on the game stick, and I don’t really know how to handle charge characters, so her limited moves help me out on that). The original illustration is actually markers, but the background, textures, and glowing are done in Photoshop. The piece took about two days to complete, and I currently have them available as a mini print in my store :D

I’m a very late bloomer, but one of the earliest arcade fighting games I’ve ever played was Street Fighter 4. When I first played, I used a game stick, and so when I begged my brother to buy the game for me, I couldn’t figure out how to use the controller, and begged him to buy a game stick for me as well. Best big bro ever!
I really fell in love with the art, and the comics that come with it are AMAZING. I want to give props to the writers of the comic series, the flow is superb.  A lot of my current work was inspired by the game. When the characters pull out their special moves, and the scene changes, it’s so dramatic, and the comic is like watching the game unfold with different characters! I love the sumi-e ink washes that happen when the characters use a focus attack. Anyways, I’m just in my own little world with this franchise.
One of my dream comic jobs is to work for Udon to make a short Street Fighter. That’s such a long shot, but I’ll keep practicing, and hey, who knows! This is my first attempt, I’m sure one day I’ll make more fan comics. 

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